While post-identity discourses about disability aspire to eliminate the misrecognitions of pathology that categorization often entails, my dissertation offers a new materialist conception of disability that re-entwines embodiment with dominant social construction perspectives.
That is to say much of it is set in a postcolonial context and written from a postcolonial perspective that challenges the assumptions of an authoritative colonialist attitude. As we can see from our discussions of transgressive, crosscultural and postmodern magical realism, these variants seek to disrupt official and defined authoritative assumptions about reality, truth and history.
Postcolonialismlike postmodernismis a complex term that is still being debated and transformed. Essentially it refers to the political and social attitude that opposes colonial power, recognizes the effects of colonialism on other nations, and refers specifically to nations which have gained independence from the rule of another imperial state.
These disruptive and displacing effects on the cultural life of the colonized nation have been the most difficult aspects of colonialism to change. In his guide to postcolonialism, John McLeod is keen to emphasize the double faceted nature of this socio-political approach: On the one hand, it acknowledges that the material realities and modes of representation common to colonialism are still very much with us today, even if the political map of the world has changed through decolonisation.
But on the other hand, it asserts the promise, the possibility, and the continuing necessity to change, while also recognising that important challenges and changes have already been achieved.
Thus, postcolonial novels that are written in postcolonial discourse adopt assumptions and attitudes which are associated with a political perspective that opposes or recognizes the effects of colonialism on the context of the novel.
For this reason, while many writers may not directly address the issue of colonialism or postcolonialismtheir writing and the assumptions behind what they express reveal a concern with such political issues. Summarizing her view of the closeness of magical realism to postcolonialism, Elleke Boehmer claims that: Drawing on the special effects of magic realism, postcolonial writers in English are able to express their view of a world fissured, distorted, and made incredible by cultural displacement…[T]hey combine the supernatural with local legend and imagery derived from colonialist cultures to represent societies which have been repeatedly unsettled by invasion, occupation, and political corruption.
Magic effects, therefore, are used to indict the follies of both empire and its aftermath. The most often cited discussion is the theory of postcolonial magical realism proposed by the Canadian postmodernist critic Stephen Slemon. Calling on a mixture of postmodernist assumptions and the discourse theories of Mikhail Bakhtinhe claims that magical realism is able to express three postcolonial elements.
Second, it is able to produce a text which reveals the tensions and gaps of representation in such a context.
Third, it provides a means to fill in the gaps of cultural representation in a postcolonial context by recuperating the fragments and voices of forgotten or subsumed histories from the point of view of the colonized. He explains that there are two discourses in the narrative but each with a different perspective, the magical and the real, and that neither is dominant but is in constant tension with and opposition to the other.
Slemon explains that this comes about because: Since the ground rules of these two worlds are incompatible, neither one can fully come into being, and each remains suspended, locked in a continuous disjunction within each of the separate discursive systems, rending them with gaps, absences and silences.
Canada was settled by immigrants who originated from Britain, the imperialist power, and from other European nations. The settlers became the predominant population, dominating the indigenous population.
This is in contrast to other postcolonial nations where the indigenous population remained in the majority and altered little in its composition during colonialism. These two forms of colonialism have been recognized by postcolonial critics to have different relationships with colonial power.Book Report on Harper Lee’s “To Kill a Mockingbird” Essay Sample.
Throughout history, society has always been apprehensive towards the different. "To Kill A Mockingbird" was written by a white woman and published in It explores racial inequality in a small Alabama town through the trial of a black man falsely accused of raping a white woman as told from the perspective of his white lawyer's family.
Socio-Political and Economic Environment. Unit 5 – Socio-Political and Economic Environment March 11, Abstract The purpose of this paper is to identify a cultural artifact that best represents the society in which we live today.
To Kill a Mockingbird. Lord of the Flies.
The Picture of Dorian Gray. Animal Farm. Animal farm is george orwell's great socio-political allegory set in a farmyard, where the animals decide to seize the farmer's land and create a co-operative that reaps the benefits of their combined labours.
Harper lee's pulitzer prize-winning. 9 days ago · But the problem runs deeper than discussions of birth control and safe sex: A recent Peel District controversy over Harper Lee’s classic novel To Kill a Mockingbird shows how wide this gulf has grown between ordinary parents and the professional class that presumes to oversee the educational system.
Some of my favourite books are- To Kill a Mockingbird (Harper Lee), Diary of a Young Girl by Anne Frank (a memoir) and Catcher in the Rye by J D Salinger. RR: .